|Series||The Faber-Van Nostrand monographs on pottery and porcelain|
|LC Classifications||NK3840 .L3 1949|
|The Physical Object|
|Pagination||xv, 62 p.|
|Number of Pages||62|
|LC Control Number||49008726|
Greek pottery, the pottery of the ancient Greeks, important both for the intrinsic beauty of its forms and decoration and for the light it sheds on the development of Greek pictorial art. Because fired clay pottery is highly durable—and few or no Greek works in wood, textile, or wall painting have survived—the painted decoration of this pottery has become the main source of information. Michael Vickers’ book on Greek pottery is quite good but expensive; if you’re a member of a university you can probably get your hands on it free, or it might be at your local library. I like Vickers because he thinks a little different from other art historians and archaeologists. This work deals with classical Greek pottery from a number of points of view - technique, period, place of production, function, shape, decoration and distribution. The book places an emphasis on the every-day uses of Greek pottery - as containers for water, wine, fish, honey and olives, for example - and does not treat it as art. The author explains the importance of clay as a fundamental. Here you can find ancient Greek pottery vessels in all known shapes and sizes. All our pottery items are faithful reproductions of original ancient Greek vessels to be found in museums, archaeological sites and private collections all over the world. Exact museum reproduction of a fine ancient Greek black figured Alabastron. (more.
Facts about Ancient Greek Pottery the metal dishes The popularity of the black and red potteries was decreased in BC. Some historians think that the pottery was replaced by the metal dishes made from silver or bronze because the Athenians were rich at that time. Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over , painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek shards of pots discarded or buried in the 1st millennium BC are. About this Item: Faber & Faber, London, Hardback. Condition: Very Good. Dust Jacket Condition: Very Good. This book deals not only with the black-figure, red-figure and whiteground pottery of the Classical period, but includes also, in a broad and unprejudiced survey, the . This text showcases a selection of vessels from the Ashmolean's collection. Most of the pots were made in Corinth or Athens and exported in antiquity to Italy and Sicily, where they served as grave-offerings. Many are decorated with figured scenes - ceramic analogues of designs for textiles or silverware - which give an insight into Greek religion, warfare, sport, party-going and craftsmanship.
Sources of myths: literary and archaeological The Homeric poems: the Iliad and the Odyssey. The 5th-century-bce Greek historian Herodotus remarked that Homer and Hesiod gave to the Olympian gods their familiar today would accept this literally. In the first book of the Iliad, the son of Zeus and Leto (Apollo, line 9) is as instantly identifiable to the Greek reader by his. Ajax (/ ˈ eɪ dʒ æ k s /) or Aias (/ ˈ aɪ. ə s /; Ancient Greek: Αἴας, romanized: Aíās, gen. Αἴαντος Aíantos; archaic ΑΣϜΑϺ [ːs]) is a Greek mythological hero, the son of King Telamon and Periboea, and the half-brother of Teucer. He plays an important role, and is portrayed as a towering figure and a warrior of great courage in Homer's Iliad and in the Epic. Additional Physical Format: Online version: Lane, Arthur, Greek pottery. New York, D. Van Nostrand Co., (OCoLC) Document Type. Greek Pottery essay. Place an order. figures gave a push to new trends in the Ancient Greek Art Pottery. There is a saying that globalization absorbs a culture of certain country. Greek is the best example of strong characters and influences, which did not plunge into the atmosphere of their conquests, but were able to take everything the.